Photos and behind the scenes video from Elle Australia photoshoot

The first snippets and photos from Isla’s Elle Australia cover shoot are online now – Isla looks beautiful in a variety of printed outfits in the photoshoot, and she talks about family life and pregnancy in the short quotes released from the interview:

“I do think you can have it all, but I think that you shouldn’t really want to. I don’t mean that you can’t have it all, more that it’s hard to do everything well.”

“I want a pint of Häagen-Dazs and my fat feet up on a stool and I want to just sleep.” – on not working when she was pregnant






Continue reading Photos and behind the scenes video from Elle Australia photoshoot

Isla on the cover of Elle Australia

Isla is on the cover of the new October 2016 issue of Elle Australia! This is to promote the release of her upcoming movie Keeping up With The Joneses and Isla looks stunning in a new photoshoot. The magazine is on Aussie news-stands today. We’ll have scans and everything for you asap….


First “Nocturnal Animals” trailer released

The first trailer for Nocturnal Animals has been released and the film looks thrilling and intense! Isla plays Laura, the wife of Jake Gyllenhaal’s character within a book Tony Hastings. There are a few very brief shots of Isla in the trailer but you have to watch very closely … screencaptures are in our gallery.

Nocturnal Animals will be released in UK cinemas on November 4th, and follows in limited US cinemas on November 18th.



“Nocturnal Animals” wins the Grand Jury Prize at the Venice Film Festival

Nocturnal Animals won the Grand Jury Prize at the Venice Film Festival tonight, as the festival drew to a close. The Grand Jury Prize is considered the ‘second place’ award, behind the Golden Lion – which went to The Woman Who Left this year.

Deadline has the full list of awards handed out tonight.

Sam Mendes Talks Jury Experience As Hollywood Wins Big On The Lido – Venice

Hollywood had a pretty good evening on the Lido tonight. After a few years of sitting on the sidelines at the Venice Film Festival, when movies like Spotlight and Birdman were overlooked for gold (or silver), a number of films and talent that are expected to figure in the awards conversation later this year were rewarded.

Among them, Tom Ford’s noir thriller Nocturnal Animals won the Grand Jury Prize; Hollywood musical love letter La La Land’s Emma Stone took the Best Actress Volpi Cup; and Noah Oppenheim won Best Screenplay for Pablo Larrain’s lauded Jackie.

The Grand Jury Prize is a very new distinction and Ford becomes the fourth director to win it. Former recipient Joshua Oppenheimer was on the jury this year. Nocturnal Animals was warmly embraced here ahead of its Venice bow and Ford flew back from Toronto to attend the ceremony tonight. He was visibly emotional, and charmed the audience by speaking in Italian saying he truly feels at home here. Focus releases Nocturnal domestically on November 11.

(Deadline)

“Nocturnal Animals” screened today at Toronto Film Festival

Nocturnal Animals screened for the press today at the Toronto Film Festival (I think the ‘red carpet’ screening is this Sunday) and it received more fantastic reviews – here are a few of them:

Tom Ford’s ‘Nocturnal Animals’ Slays With Cynicism, Wins Over Toronto

Tom Ford‘s “Nocturnal Animals” premiered in Venice last week, but a dizzying amount of press and industry players showed for the Toronto International Film Festival screening of the designer-turned-director’s second feature.

The Princess of Wales theater hit capacity for the Amy Adams-Jake Gyllenhaal thriller, a screenplay Ford adapted from Austin Wright’s novel “Tony and Susan.”

Adams plays an icy modern artist named Susan who receives a package from her ex-husband Edward (Jake Gyllenhaal). It’s his debut novel, titled “Nocturnal Animals,” a harrowing story of a husband and father named Tony whose wife and daughter are abducted by a group of West Texas thugs.

Susan is happy for the distraction, thanks to a growing divide with current husband Hutton (Armie Hammer). The structure of the film gets a bit meta, vacillating between Susan reading the novel — a complete depiction of the action within the book (Gyllenhaal also plays Tony in the story-within-the-story, as Susan sublimates her ex for his lead character) — and flashbacks to how Susan and Edward met, and eventually how she came to leave him.

It’s plenty of story to chew on, but nothing short of stunning.

Continue reading “Nocturnal Animals” screened today at Toronto Film Festival